THE SHAPE OF THE CIRCLE (2019) – Athens – Omonoia Square & EIGHT
A site-specific promenade performance about the history of Omonoia square, centre for all incomplete plans for the city of Athens from the beginning of the Greek modern state to today. A performance-lecture about the making of the modern Greek State, about nostalgic constructions, about the possibilities of exodus and symbiosis.
Funded by Greek Ministry of Culture
AFTERLIVES (2017) Athens – Hellenic Festival
A city wide performance project that included a promenade performance, workshops, public talks and a days conference interrogating the role of art practice in public space. https://www.facebook.com/events/298006100660570/
What the world needs now (2015) Stockton – ARC
A community-based project developed after a series of workshops with local residents and diverse communities. Ten historical political speeches performed throughout the city of Stockton by local participants.
ON FAILURE (2015) Athens – Green Park
Performance lecture on the nature of crisis and hope
WHAT TO DO WHEN NOTHING HAPPENS (2015) Turin – Ars Captiva
A perfomance exploring slowness and stillness
Durational Gallery piece
STILL WAITING (2014) Athens – Embros
A clashing of historical political speeches and (kind of) dances
FRAGMENTS OF CLAY (2014) Hong Kong Repertory Theatre
Family, home and how the crash occurred
I WAS THERE… (2014) Turin – National History Museum
Sound piece presented as part of Turin Jazz Festival
CELEBRATIONS (2012) Athens – Embros Theatre, Venice – Schuime Festival
Studio piece/performance lecture
CITY STRUCTURES: A DAYTRIP (2011) Athens Festival
Large scale participatory piece involving local communities, ‘experts’, kids and performers. Final performance took place at a local school overlooking the city inviting audiences to a strange mapping of Athens through installations and performance encounters with experts, kids, and performers. Parallel to the project a series of podcasts were developed audio tours of different neighbourhoods of Athens by local experts.
ELEVEN (2011) Athens – Bios
A promenade performance utilising inside and outside spaces of Bios.
CELEBRATIONS [work-in-progress] (2011) Athens – National Theatre of Greece
COUNTDOWN (2010) Athens – Bios
I WAS THERE… (2010) London – ICA
Gallery piece. Part of “Performances Past and Futures Weekend” curated by Tim Etchells and Ant Hampton.
AND COUNTING…(2009) Bluecoat, Liverpool
Gallery piece – Performed by six disabled artists, “And Counting…” creates a parallel reality to the events of the Apollo 11 landing in July 1969.
REHEARSAL SCORE:2004 (2009) OPA Festival, Athens – Bios
Site-specific piece based on the idea of postproduction exploring site, memory and immaterial architecture.
I THOUGHT OF THE SUN AND THE SEA (2009) OPA Festival, Athens – Bios and London – Shunt. An audio performance reintroducing surface noise into the digital artefact.
A GUIDE TO GETTING LOST (2009) Athens – Bios
Studio piece – attempting to orientate itself in this uncertain space/time the work built large scaffolding structures and shaped provisional futures.
100 SIMPLE SECRETS (2007) Athens -Theatre of Anoiksis.
Studio piece – a cross between a business seminar, a kid’s party and a mass suicide. How do you get through life in a world gone bad?
ONCE SEEN (2007) London – Prince Arthur.
Site-specific piece in a pub, exploring reunions, additions, and unexpected memories. Food, drink and music are shared with the audience. The work investigates intimacy, private and shared memories.
SECRET LOCATION TWO (2005) Athens – found locations around Gazi Area (keramikos, centre of Athens)
Performance-installation – second in the series of five performances. The city as memory, mapping histories and personal geographies.
30.000 LIES OR MORE (2005) Commissioned by Teatro Europeo Festival, Turin, Italy
24h performance-installation – interrogating the nature of deception and construction of social values.
SECRET LOCATION ONE (2005) Athens – Art Tower Performance-installation – first in sequence of five performances situated in little known locations in Athens, the audience are only informed of the exact place one hour before the performance. The city as architecture/ mapping power and presence.
ON THE EDGE…(2004) Athens – Bios.
Durational performance – remixing ‘Restricted Area’ and exploring gender construction.
RESTRICTED AREA (2004) Athens – Bios.
Site-specific performance in an apartment block engaging with the construction of identity.
5×5 (2003) London – Arcola Theatre.
Studio piece – five solo shows made in five weeks, combined to make a group piece in the sixth week.
22 ROOMS (2003) Athens – Tecchnopolis
Performance-installation – large-scale performance installation playing with the grammar of air travel & tourism.
DARK ROOM (2002) Athens – Vafio Theatre.
Studio piece, photography and sight and the search for the pose that “looks like us.”
ALWAYS (2002) London – BAC
Studio piece – colliding the history of the RAF and the true lives of the performers to test the failures of representation and commitment.